DOES EGYPT NEED TWITTER? - OTHERS NEWS

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Sunday, August 25, 2013

DOES EGYPT NEED TWITTER?

101004_r20052_p233.jpgWhen Mao famously said that power springs from the barrel of a gun, it was assumed that he was talking about guns. There wasn’t much interest at the time in how he chose to communicate that sentiment: whether he said it in a speech, say, or whispered it to a friend, or wrote it in his diary or published it in a book. That would never happen today, of course. We now believe that the “how” of a communicative act is of huge importance. We would say that Mao posted that power comes from the barrel of a gun on his Facebook page, or we would say that he blogged about gun barrels on Tumblr—and eventually, as the apostles of new media wrestled with the implications of his comments, the verb would come to completely overcome the noun, the part about the gun would be forgotten, and the the big takeaway would be: Whoa. Did you see what Mao just tweeted?
Right now there are protests in Egypt that look like they might bring down the government. There are a thousand important things that can be said about their origins and implications: as Iwrote last fall in The New Yorker, “high risk” social activism requires deep roots and strong ties. But surely the least interesting fact about them is that some of the protesters may (or may not) have at one point or another employed some of the tools of the new media to communicate with one another. Please. People protested and brought down governments before Facebook was invented. They did it before the Internet came along. Barely anyone in East Germany in the nineteen-eighties had a phone—and they ended up with hundreds of thousands of people in central Leipzig and brought down a regime that we all thought would last another hundred years—and in the French Revolution the crowd in the streets spoke to one another with that strange, today largely unknown instrument known as the human voice. People with a grievance will always find ways to communicate with each other. How they choose to do it is less interesting, in the end, than why they were driven to do it in the first place.
Illustration: Seymour Chwast

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